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Measures: 35 - 60
Unique Durations: 8-9
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Renaissance
Semper Dowland Semper Dolens for Guitar Duo, John Dowland
PreludeAndFugue
2:27 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
 
Galliard 39, Francis Cutting
PreludeAndFugue
2:10 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
 
Semper Dowland Semper Dolens, John Dowland
PreludeAndFugue
4:55 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 15 0 4 8 100%
IV Treble 25 0 6 8 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 15 0 4 8 100%
IV Treble 25 0 6 8 99%
III Treble 13 0 3 7 97%
I Treble 13 0 4 7 95%
 
Michael Praetorius - Spagnoletta - Guitar solo
Daniel Rubin
2:53 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
 
N. Vicentino: Musica prisca caput
intasei
2:24 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
Tenor 13 0 4 6 96%
Basso
Continuo		 Bass 12 0 2 9 93%
Bassus Bass 12 0 2 6 93%
Tenore 7 0 0 8 42%
Basso Bass 8 0 1 8 38%
Soprano 8 0 1 8 38%
Contralto 6 0 0 7 36%
 
Recercada primera
Fermate
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 8 100%
Treble 10 6 2 3 100%
Bass 5 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 8 100%
Treble 10 6 2 3 100%
Bass 5 0 0 3 100%
 
Omnes Hanc Ergo a 6 (Monteverdi)
rinirini
2:49 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 13 0 3 6 80%
Soprano
II		 Treble 13 0 4 7 80%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 13 0 3 6 80%
Soprano
II		 Treble 13 0 4 7 80%
Tenor
I		 Treble 14 0 4 9 74%
Alto Treble 13 0 4 5 70%
Bass Bass 13 0 2 7 67%
Tenor
II		 Treble 13 0 3 9 67%
 
Galliard 15, Francis Cutting
PreludeAndFugue
1:35 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 26 7 7 8 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 26 7 7 8 99%
 
Almaine 16 [BW], Francis Cutting
PreludeAndFugue
1:52 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 32 6 8 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 32 6 8 96%
 
Et_daget_in_dat_Osten
FarrierPete
1:52 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harmonium Treble 10 0 1 9 100%
Bass 7 2 1 5 92%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harmonium Treble 10 0 1 9 100%
Bass 7 2 1 5 92%
Alt Treble 8 0 0 5 77%
Sopran Treble 8 0 1 7 77%
Tenor Treble 6 0 1 5 77%
Bass Bass 6 0 0 5 56%